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Free from the stretcher, 2000 - ongoing

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Samia Halaby, Hanging Gardens for Japan (Pink), 2012, Acrylic on linen soft sculpture, 175 x 28 x 28 cm

By 2000, Halaby revisists the function of the picture plane, and challenges its boundaries from within. She began to develop a series of hanging sculptures using papier-mâché. These were inspired by the workshops she conducted at Birzeit University in 1995, during which she taught students how to use the medium. The result was a work that occupied different spatial planes and was released from the confines of two-dimensional walls.

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Samia Halaby, In Memory of Sheila Marbain, 2010, Papier-mâché, rice paste and acrylic, 61 x 71 x 45 cm

In Memory of Sheila Marbain, 2010, Papier-mâché, rice paste and acrylic, 61 x 71 x 45 cm

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Samia Halaby, Landscape, 2010, acrylic on papier-mâché, bas-relief, 104 x 51 x 13 cm

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Samia Halaby, Village Dance Man, 2003, Acrylic on canvas with Papier-mâché, 99 x43 cm

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