Au Delà des Images: (Beyond Images)
works from the Fond National d'Art Contemporian, France
curated by: Akram Zaatari & Jean Marc Prévost
beirut
Au Delà des Images: (Beyond Images)-Gallery
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Adel Abdessemed
(*1971 in Constatine, Algeria. Lives and works in Paris and Berlin)
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Absalon
(* 1964 in Tel Aviv. Died 1993 in Paris)
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(* 1964 in Tel Aviv. Died 1993 in Paris)
Chantal Akerman
(*1950 in Etterbeek, Belgium. Lives in Paris)
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(*1950 in Etterbeek, Belgium. Lives in Paris)
Yto Barrada
(*1971 in Paris. Lives and works in Tanger and Paris)
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(*1971 in Paris. Lives and works in Tanger and Paris)
Jean-Marc Bustamante
(*1952 in Toulouse. Lives and works in Paris)
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(*1952 in Toulouse. Lives and works in Paris)
Francoise Demulder
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Marie-Ange Guilleminot
(*1960 in Saint-Germain en Laye. Lives and works in Paris)
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(*1960 in Saint-Germain en Laye. Lives and works in Paris)
Mona Hatoum
(*952 in Beirut. Lives and works in London)
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(*952 in Beirut. Lives and works in London)
Valerie Jouve
(*1964 in Saint-Etienne. Lives and works in Paris)
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(*1964 in Saint-Etienne. Lives and works in Paris)
Michel Lasserre &
(* 1947 in France)
Paola Yacoub
(* 1966 in Lebanon.They live and work in Berlin)
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Jean Luc Moulene
(*1955 in Paris. Lives and works in Paris)
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(*1955 in Paris. Lives and works in Paris)
Bruce Nauman
(*1941 in Fort Wayne, USA. Lives and works in Galistero, USA)
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(*1941 in Fort Wayne, USA. Lives and works in Galistero, USA)
Sophie Ristelhueber
(*1949 in Paris. Lives and works in Paris)
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(*1949 in Paris. Lives and works in Paris)
Anri Sala
(*1974 in Tirana. Lives and works in Paris)
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(*1974 in Tirana. Lives and works in Paris)
Patrick Tosani
(*1954 in Boissy-l'Aillerie. Works and lives in Montrouge)
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(*1954 in Boissy-l'Aillerie. Works and lives in Montrouge)
Press release:
The exhibition Au delà des Images (Beyond Images) is based on the collection of the Fonds National d'Art Contemporain (National Fund for Contemporary Art, FNAC) and brings together the works of fifteen French and Lebanese artists. The exhibition constitutes a space where the relationships between art and documentary images are rethought.
The artists presenting their work are particularly interested in inventing new relationships to the real, and in inscribing their research in common reality. However, the resulting photographic works differ from journalistic and documentary images, two genres which are currently popular with the public at large. The reason behind this is that the process of defining an aesthetic language invariably involves a critique of the image.
The relationship image-spectator is entirely based on an ethical engagement through a leeway of signification or the creation of a poetic space, which is difficult to find in the performative efficiency of journalistic photography. The art of the 20 th century and of the 1990's has redefined an ethical dimension of the artwork.
The notions of the individual, of territory, and of the city are at the heart of the images of Valérie Jouve, Michel Lasserre and Paoula Yacoub, Jean Luc Moulène, and Chantal Akerman. For each of these artists, at varying degrees, aesthetic research is thought in relation to political and social factors. However, far from objective photography, they define above all a subjective approach, tied to their personal histories, encounters, and vision of the world.
In the same vein, the works shown in the exhibition allow us to discover personal and intimate territories that acquire their meaning within a much larger context. The exhibition proposes to make manifest this moment in France and in Lebanon where artists are renewing their relationship to the real, with a precise knowledge of the wagers of Modernity and with the awareness of a necessity to reaffirm the critical function of art.
The artists presenting their work are particularly interested in inventing new relationships to the real, and in inscribing their research in common reality. However, the resulting photographic works differ from journalistic and documentary images, two genres which are currently popular with the public at large. The reason behind this is that the process of defining an aesthetic language invariably involves a critique of the image.
The relationship image-spectator is entirely based on an ethical engagement through a leeway of signification or the creation of a poetic space, which is difficult to find in the performative efficiency of journalistic photography. The art of the 20 th century and of the 1990's has redefined an ethical dimension of the artwork.
The notions of the individual, of territory, and of the city are at the heart of the images of Valérie Jouve, Michel Lasserre and Paoula Yacoub, Jean Luc Moulène, and Chantal Akerman. For each of these artists, at varying degrees, aesthetic research is thought in relation to political and social factors. However, far from objective photography, they define above all a subjective approach, tied to their personal histories, encounters, and vision of the world.
In the same vein, the works shown in the exhibition allow us to discover personal and intimate territories that acquire their meaning within a much larger context. The exhibition proposes to make manifest this moment in France and in Lebanon where artists are renewing their relationship to the real, with a precise knowledge of the wagers of Modernity and with the awareness of a necessity to reaffirm the critical function of art.