فير زملر غاليري Sfeir-Semler Gallery

Marwan
Painting


Sfeir-Semler Gallery, Hamburg

The new exhibition with the Syrian artist MARWAN marks our 30 year collaboration with the artist, with his first exhibition in our space in Kiel in 1987, followed by many other shows in Hamburg and Beirut, most notably his 75th birthday show retrospective in 2009.

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Exhibition view, Painting, Sfeir‑Semler Gallery, Hamburg, 2016

Born 1934 in Damascus, Marwan immigrated to Germany in 1957. He studied art at the Academy of Fine Arts in Berlin (1957-1963), where he later taught. His work was heavily influenced by the artistic trends that emerged from post-1945 Germany and the postcolonial Levant. His introspective works from the early sixties are reflective of rapidly changing socio-political landscape and the confusion over identity and nationalism the younger generation were facing. 

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Exhibition view, Painting, Sfeir‑Semler Gallery, Hamburg, 2016
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Marwan, Untitled (Head, 04. March 2000), 2000
oil on canvas, 228 ⁠× ⁠161.5 ⁠⁠cm

His multifaceted artistic practice has made him a unique representative of postwar German art, as well a one of the most notable Arab painters of the late 20th century.

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Exhibition view, Painting, Sfeir‑Semler Gallery, Hamburg, 2016
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Marwan, Untitled (Head, 06. April 1995), 1995
oil on canvas, 130 ⁠× ⁠97 ⁠⁠cm
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Marwan, Untitled (Head, 03. January 2003), 2003
oil on canvas, 146 ⁠× ⁠114 ⁠⁠cm

While most of his European contemporaries focused on the formal vocabulary of structural realism, Marwan brought back emotion and human expression to his paintings. His work stood on its own in the 1960s art scene, criticized by E. Rothers as "pathetic figuration" in response to his 1967 exhibition in Berlin at Gallery Rudolph Springer.

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Exhibition view, Painting, Sfeir‑Semler Gallery, Hamburg, 2016
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Marwan, Untitled (Head, May 1985), 1985
oil on canvas, 195 ⁠× ⁠130 ⁠⁠cm
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Marwan, Untitled (Head, December 2010 - January 2011)
oil on canvas, 195 ⁠× ⁠164 ⁠⁠cm

His work evolved, yet the vibrant, expressive faces were persistently present. Face motifs have practically become a singular subject in his work since the 1970s. The painting process is extensive, with a multitude of color patches layered on to the canvas.

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Exhibition view, Painting, Sfeir‑Semler Gallery, Hamburg, 2016
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Marwan, The 99 names of God
99 rubbings, 1 text, 46.6 ⁠× ⁠36.8 ⁠⁠cm, Ed. 18 + 5 EA
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Marwan, Untitled (Head 1986), 1986
mixed media on paper, 148.5 ⁠× ⁠109 ⁠⁠cm

The swaths of color create a three dimensionality - with the image appearing and withdrawing. The face is initially modeled after the artist however; the individual self disappears into a vast landscape of brushstrokes, revealing an insight into the human spirit. The upcoming exhibition will show self-portraits from 1985 to 2010.

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Exhibition view, Painting, Sfeir‑Semler Gallery, Hamburg, 2016
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Marwan, Untitled (Head 1992), 1992
pencil, aquarell, oil on paper, 78 ⁠× ⁠57.5 ⁠⁠cm
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Marwan, Untitled (Head 1985), 1985
watercolor and pencil on paper, 79 ⁠× ⁠57 ⁠⁠cm

Marwan (b. 1934) lives and works in Berlin. He most recently had a solo exhibition at Serralves Foundation, Porto, Portugal in 2014 that presented his early works from 1962 to 1972. He has had solo exhibtions such as at the Barjeel Art Center in Sharjah (2014); Beirut Exhibition Center (2013); Museum für islamische Kunst, Berlin (2008); Darat al Funun, Amman (2004); Institute du Monde Arabe, Paris (1993), Haus der Kunst, Munich (1991); among many others. He has also participated in group exhibitions such as Here and Elsewhere at the New Museum, New York (2014); Kunst in Berlin. 1945 bis heute at Berlinische Galerie, Berlin (2013); and the 2009 Istanbul Biennial. His works are in the public collections of Guggenheim, Abu Dhabi; Tate Modern, London; British Museum, London; Centre Georges Pompidou, Paris; Bibliothèque National de France, Paris; Institut du Monde Arabe, Paris; Carnegie Museum of Art, Pittsburgh, USA; Abdul Hameed Shoman Foundation,Darat al Funun, Amman; Staatliche Museen Preußischer Kulturbesitz, Berlin, Germany; Kunsthalle Bremen,Germany; National Museum Damascus, Syria; Hamburger Kunsthalle; as well as several other museums, institutes, and private collections in Germany and across the world.

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Exhibition view, Painting, Sfeir‑Semler Gallery, Hamburg, 2016