فير زملر غاليري Sfeir-Semler Gallery

where the lemons bloom...
Etel Adnan, Moritz Altmann, Yto Barrada, Bettina, William Kentridge, Timo Nasseri, Ania Soliman, Christine Streuli, Akram Zaatari


Sfeir-Semler Gallery, Hamburg

After long weeks of lockdown, we are pleased to announce the opening of a new exhibition at our Hamburg gallery. Curated by Ana Siler, the exhibition WHERE THE LEMONS BLOOM… brings together works by Etel Adnan, Moritz Altmann, Yto Barrada, Bettina, William Kentridge, Timo Nasseri, Ania Soliman, Christine Streuli and Akram Zaatari.

Wo die Zitronen blühen... Exhibition view
Exhibition view, where the lemons bloom..., Sfeir‑Semler Gallery, Hamburg, 2020

Know'st thou the land where the lemon-trees bloom is a poem by Johann Wolfgang von Goethe that speaks of longing for heavenly distant lands: The South, the sun and light, Mediterranean flora, bright white buildings, marble, music, laughter and joy.

Wo die Zitronen blühen..., exhibition view
Exhibition view, where the lemons bloom..., Sfeir‑Semler Gallery, Hamburg, 2020
Wo die Zitronen blühen..., exhibition view
Exhibition view, Bettina, Timo Nasseri, where the lemons bloom..., Sfeir‑Semler Gallery, Hamburg, 2020

Goethe's romantic contemplation echoes into our present, lending its title to Christine Streuli’s series of drawings based on advertisement billboards she saw during a recent stay in Hawaii.

Wo die Zitronen blühen..., exhibition view
Exhibition view, where the lemons bloom..., Sfeir‑Semler Gallery, Hamburg, 2020
Christine Streuli, Abklatsch / Kennst Du das Land, wo die Zitronen blühen_01, 2017/18, Mixed Media on Paper, framed, 90 x 58 cm
Christine Streuli, Abklatsch/ Kennst du das Land, wo die Zitronen blühen_01, 2017/18
mixed media on paper, framed, 90 ⁠× ⁠58 ⁠⁠cm
Christine Streuli, Abklatsch / Kennst Du das Land, wo die Zitronen blühen_08, 2017/18, Mixed Media on Paper, framed, 90 x 58 cm
Christine Streuli, Abklatsch/ Kennst du das Land wo die Zitronen blühen_08, 2017/18
mixed media on paper, framed, 90 ⁠× ⁠58 ⁠⁠cm

Beyond Goethe’s poem, the exhibition explores the quest for poetic marriages of shapes and colors. With a variety of media and motifs, it showcases the multi-faceted medium of painting, exploring a wide array of appropriations and treatments.

Etel Adnan, Untitled
Etel Adnan, Untitled, 2019
oil on canvas, 41 ⁠× ⁠32 ⁠⁠cm
Etel Adnan, La Ronde des Oisseaux
Etel Adnan, Le Ronde des Oisseaux, 2019
158 ⁠× ⁠220 ⁠⁠cm

An alternation of canvases, textile works, and sculptures creates a rhythm that invites visitors to wander amongst the expressive-abstract Warpainting of Christine Streuli, the tapestry of Etel Adnan, the minimalist textile works of Yto Barrada, the large-format radiant yellow drawing of Ania Soliman dedicated to the taxonomy of artificial bamboo plants produced in China, and Barrada's installation Lyautey Unit Blocks consisting of painted wooden blocks assembled into an urban structure across the space.

Ania Soliman, bamboo
Ania Soliman, bamboo 1515-71
encaustic pigment and pencil on paper, 250 ⁠× ⁠150 ⁠⁠cm
Christine Streuli, Warpainting_006
Christine Streuli, Warpainting_006, 2017
mixed media on canvas, 240 ⁠× ⁠170 ⁠⁠cm
Yto Barrada, Untitled (After Stella Tetuan I), 2018, Cotton, madder, annatto, 104,2 x 107,5 cm
Yto Barrada, Untitled (After Stella Tetuan I), 2018
cotton, madder, annatto, 104.2 ⁠× ⁠107.5 ⁠⁠cm
Yto Barrada, Untitled (After Stella Tetuan II), 2018, Cotton, madder, annatto, 76 x 78 cm
Yto Barrada, Untitled (After Stella Tetuan II), 2018
cotton, madder, annatto, 76 ⁠× ⁠78 ⁠⁠cm

While the works on the upper floor of the gallery form a colorful assemblage, the ground floor appears almost monochromatic. The abstract, black and white surface of Akram Zaatari's light boxes is in fact close-ups of negatives, that have been damaged by external factors.

Wo die Zitronen blühen..., exhibition view
Exhibition view, where the lemons bloom..., Sfeir‑Semler Gallery, Hamburg, 2020
Akram Zaatari, Sculpting with Time, 2017, Blacklit UV print on cloth, 100 x 50 x 10 cm, Edition 7+2 AP
Akram Zaatari, Sculpting with Time, 2017
blacklit UV print on cloth, 100 ⁠× ⁠50 ⁠× ⁠10 ⁠⁠cm, Ed. 7 + 2 AP

The original motifs fade under a multitude of unexpected patterns, formed by bubbles and ridges. Mirrored onto the surfaces of Timo Nasseri's Parsec sculpture, they dialogue with the latter’s monumental canvas that shows geometric and ornamental motifs based on the Razzle-Dazzle camouflage patterns from World War I.

Timo Nasseri, Parsec #2, 2010
Timo Nasseri, Parsec #2, 2010
polished stainless steel, 126 ⁠× ⁠73 ⁠× ⁠78 ⁠⁠cm
Timo Nasseri, DAZ #26, 2018
Timo Nasseri, DAZ # 26, 2018
acrylic on canvas, 210 ⁠× ⁠140 ⁠⁠cm
Ania Soliman, bamboos, exhibition view
Exhibition view, Ania Soliman, Timo Nasseri, where the lemons bloom..., Sfeir‑Semler Gallery, Hamburg, 2020