فير زملر غاليري Sfeir-Semler Gallery

Yto Barrada
La courte échelle (Räuberleiter)


Sfeir-Semler Gallery, Hamburg

HAMBURG - Sfeir-Semler Gallery is happy to announce the opening of its new, extended gallery space on Thursday, September 5th, from 6-9 pm. Our ground floor location has remained the same but we have expanded onto the first floor and are excited to start a new exhibition program, beginning with YTO BARRADA’s La courte échelle (Räuberleiter) and the launch and signing of the new monograph book on the artist, published by JRP-Ringier. 

764/5585.JPG
Exhibition view, La courte échelle (Räuberleiter), Sfeir‑Semler Gallery, Hamburg, 2013

Born in Paris in 1971, Moroccan-French artist Yto Barrada’s work interrogates the socio-political fabric of life in Morocco, and the complex dynamics of geographical, historical and symbolic territory in her hometown of Tangier.

764/5587.JPG
Exhibition view, La courte échelle (Räuberleiter), Sfeir‑Semler Gallery, Hamburg, 2013
767/5622.JPG
Yto Barrada, Cinéma modèle - Rif (Cinema Model - Rif), 2013
wood, paint, Ed. 3 + 1 AP
767/5623.JPG
Yto Barrada, Cinéma modèle - Alcazar (Cinema Model - Alcazar), 2013
wood, paint, Ed. 3 + 1 AP
765/5619.JPG
Yto Barrada, Twin Palm Island, 2012
steel, galvanized sheet metal, colored electric bulbs, plastic and rubber wheels, 319 ⁠× ⁠160 ⁠× ⁠35 ⁠⁠cm, Ed. 3 + 1 AP

The exhibition La courte échelle (Räuberleiter) assembles a selection of Barrada’s sculptures, videos, photographss and prints and particularly focuses on the notions of play and family, fluctuating between the public and private.

765/5608.JPG
Yto Barrada, The Telephone Books (The Recipe Books), 2003-2011, installation view, Sfeir‑Semler Gallery, Hamburg, 2013
765/5607.JPG
Yto Barrada, The Telephone Books (The Recipe Books), 2003-2011, installation view, Sfeir‑Semler Gallery, Hamburg, 2013
765/5611.JPG
Yto Barrada, The Telephone Books (The Recipe Books), 2003-2011, installation view, Sfeir‑Semler Gallery, Hamburg, 2013
771/5662.jpg
Yto Barrada, The Telephone Books (The Recipe Books), Fig. 2, 2010
silver gelatine prints, 120 ⁠× ⁠150 ⁠⁠cm, Ed. 5 + 2 AP

The film Hand Me Downs (2011) uses archived amateur films from the 1950s and 1970s, investigating through voiceover 16 myths from her family’s unreliable narrators. The colors of Barrada’s C-prints deepen the experience and richness of the photos taken in the city, which converse with intimate family images. The motel-sign-style palms trees of Twin Palm Island, mounted on children’s wagons, engage the urban/nature divide, presenting trees transformed from environmental staple to commodified toy. 

765/5609.JPG
Exhibition view, La courte échelle (Räuberleiter), Sfeir‑Semler Gallery, Hamburg, 2013
765/5615.JPG
Exhibition view, La courte échelle (Räuberleiter), Sfeir‑Semler Gallery, Hamburg, 2013
772/5670.jpg
Yto Barrada, Libellule bleue (Blue Daragonfly), 2009-2011
c-print, mounted, framed, 125 ⁠× ⁠125 ⁠⁠cm, Ed. 5 + 2 AP
772/5683.jpg
Yto Barrada, L'Escargot (The Snail), 2009 - 2011
c-print, mounted, framed, 150 ⁠× ⁠150 ⁠⁠cm, Ed. 5 + 2 AP

It becomes apparent that these more personal avenues reflect larger themes of memory and the post-colonial condition which guide Barrada’s practice and personal projects. She is also the founding director of the Cinémathèque de Tanger, North Africa's first cinema cultural center, and a member of the Arab Image Foundation, Beirut.

773/5695.JPG
Yto Barrada, Hand-Me-Downs, 2011
digital video sound, black and white, colour, film still, duration: 15 min, format 5:4, (french and english versions available), Ed. 7 + 2 AP
773/5696.JPG
Yto Barrada, Hand-Me-Downs, 2011
digital video sound, black and white, colour, film still, duration: 15 min, format 5:4, (french and english versions available), Ed. 7 + 2 AP
773/5697.JPG
Yto Barrada, Hand-Me-Downs, 2011
digital video sound, black and white, colour, film still, duration: 15', format 5:4, (french and english versions available), Ed. 7 + 2 AP

Her work has been exhibited by institutions including MoMA, the Jeu de Paume, the Venice Biennale (2007, 2011). In 2011 she was named the Deutsche Bank Artist of the Year, and her show RIFFS began at the Guggenheim in Berlin, and toured to Wiels in Brussels, Fotomuseum Winterhur in Zurich, Renaissance Society at the University of Chicago, and MACRO in Rome.  Upcoming exhibits include the Walker Arts Center, Minneapolis and the Canadian Centre for Architecture, Montreal.

A reference monography will be launched and signed.

768/5625.JPG
Yto Barrada, A Modest Proposal, 2010-2013, installation view, Sfeir‑Semler Gallery, Hamburg, 2013
769/5650.jpg
Yto Barrada, A Modest Proposal, 2010-2013
one of 15 double-sided posters, offset print, mounted, framed, 56.5 ⁠× ⁠42 ⁠⁠cm, Ed. 30 + 10 AP + 10 HC
769/5641.jpg
Yto Barrada, A Modest Proposal,, 2010-2013
one of 15 double-sided posters, offset print, mounted, framed, 56.5 ⁠× ⁠42 ⁠⁠cm, Ed. 30 + 10 AP + 10 HC
769/5630.jpg
Yto Barrada, A Modest Proposal, 2010-2013
one of 15 double-sided posters, offset print, mounted, framed, 56.5 ⁠× ⁠42 ⁠⁠cm, Ed. 30 + 10 AP + 10 HC
769/5642.jpg
Yto Barrada, A Modest Proposal, Lyautey, 2010-2013
one of 15 double-sided posters, offset print, mounted, framed, 56.5 ⁠× ⁠42 ⁠⁠cm, Ed. 30 + 10 AP + 10 HC