In other instances, the artist plays with images, overlapping silhouettes through a projection on prints, or drawing crayoned bodily forms. These minimal outlines hint to long-gone bodies, whose shadows remain with the living. Death is omnipresent, as in Gruyere, 2023, composed as a mosaic to form the image of an iconic building of Beirut, in which Mroué tells us an assassination took place in 1987 on one of the second-floor apartments.