Walid Raad on E-Flux
Walid Raad’s Spectral Archive, Part One: Historiography as Process by Alan Gilbert I January 2016

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Walid Raad at Hyperallergic
Walid Raad Playfully Probes His MoMA Survey by Eva Díaz I 22 January 2016

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Marwan Rechmaoui in Al-Akhbar
Fortress in a Corner, Bishop Takes Over Review by Pierre Abi Saab I 26 February 2016

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Kein Künstler der Documenta ist König der Erde

Interview Andrée Sfeir-Semler with Nicole Büsing and Heiko Klaas

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The Playtime Issue Curated by Andrée Sfeir-Semler
Interviewed by India Stoughton

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Geflickt, aber nicht zerissen
Interview with Yto Barrada

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Menschen verwandeln sich in Monster
Written by Wael Shawky

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Vier kleine Märchen
Written by Mounira Al Solh

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WAEL SHAWKY's show at MoMA PS1 selected as Artnet's no. 1 most memorable museum show of 2015
by Ben Davis on artnet.com I 25 November 2015

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Die Unversöhnliche

Portait von Georg Imdahl

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Ausweitung der Kunstzone

Portait von Annabelle Hirsch

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Moving Home(s)

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Au Delà des Images (Beyond Images)

works from the Fond National d'Art Contemporian, France


The exhibition Au delà des Images (Beyond Images) is based on the collection of the Fonds National d'Art Contemporain (National Fund for Contemporary Art, FNAC) and brings together the works of fifteen French and Lebanese artists. The exhibition constitutes a space where the relationships between art and documentary images are rethought.
The artists presenting their work are particularly interested in inventing new relationships to the real, and in inscribing their research in common reality. However, the resulting photographic works differ from journalistic and documentary images, two genres which are currently popular with the public at large. The reason behind this is that the process of defining an aesthetic language invariably involves a critique of the image.
The relationship image-spectator is entirely based on an ethical engagement through a leeway of signification or the creation of a poetic space, which is difficult to find in the performative efficiency of journalistic photography. The art of the 20 th century and of the 1990's has redefined an ethical dimension of the artwork.
The notions of the individual, of territory, and of the city are at the heart of the images of Valérie Jouve, Michel Lasserre and Paoula Yacoub, Jean Luc Moulène, and Chantal Akerman. For each of these artists, at varying degrees, aesthetic research is thought in relation to political and social factors. However, far from objective photography, they define above all a subjective approach, tied to their personal histories, encounters, and vision of the world.
In the same vein, the works shown in the exhibition allow us to discover personal and intimate territories that acquire their meaning within a much larger context. The exhibition proposes to make manifest this moment in France and in Lebanon where artists are renewing their relationship to the real, with a precise knowledge of the wagers of Modernity and with the awareness of a necessity to reaffirm the critical function of art.

Exploring the many meanings of hadith

 

Latest exhibition at Galerie Sfeir-Semler tackles the art of conversation

 

Article written by Kaelen Wilson-Goldie, published in the DAILY STAR on Thursday, February 02, 2006

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Dailystar Teaser
Teaser on Front Page

2006-01-31 L'ORIENT LE JOUR

 

"EXPOSITION - De Mona Hatoum à Sophie Calle, en passant par
William Kentridge, Moataz Nasereldin ou Philip-Lorca Di Corcia…
Le « Hadith » des artistes internationaux à la galerie Sfeir-Semler
"


Article written by Zená Zalal about the Hadith-Exhibition in Beirut, published in L'ORIENT LE JOUR on 31st January

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lorient